Grace Kelly and James Stewart in ‘Rear Window.’ Courtesy photo
Review by Kelly Dolejsi
We never know what’s really happening behind closed doors, or even wide open windows.
But that’s never stopped us humans from drawing our own conclusions about other people’s lives, in which we are sometimes much more interested than our own.
The 1954 Alfred Hitchcock classic “Rear Window” is not only a “who dunnit?” but a “did anyone do it?” And even the “it” is ambiguous. Was there a murder? Or did a lady take a train? Is a man a killer, or simply in sales? And what’s going on with the little dog, anyhow? Read More


















